04: exercises 4, 5
with
mariona vinyes rafols,
adrian thoemmes
domenik naue,
jill kupers,
tessa spagnoli
gathered during the making of the work, these documents are revisions of each other, in different formats and designed for different spectators. one iteration consists of digitalised versions of my notes on paper; one takes the form of a "code of law" of the world of the performers; some documents became part of the libretto and scenography.
​
more tactile, tangible documents include the costumes jill, mariona, and i made, as well as one of the leftover artefact-lists we used for a rehearsal (i found this lying around in studio 4 when we came back to school after the 6-month hiatus). two documents i keep in my closet (not pictured) are the pattern of the costume cut by jill and her mother, and a piece of fabric with which jill and i, unable to find a measuring tape, recorded the measurements of the performers.
document#1
documents#2?
document#3
documents#4
libretto/programme + scenography of experience
documents#5
residue, found after what seems like a very long time afterwards,,, in the same apartment. these artefacts are
used,
decidedly unused, half-finished,
an iteration of something that preceded it,
an iteration from which something else grew.